Another writing tool

I’ve used this writing tool when I’m at a loss for something to write.

It works by harnessing your inner muse.

If you give it a go you may find that allowing your sub-conscious off the leash will help when you are at a loss for a story or how to progress one you are stuck on.

Be warned though; it doesn’t work for everybody.

It makes use of the following categories of story:

1. setting
2. protagonist
3. antagonist
4. theme
5. conflict
6. main action
7. subplots
8. resolution/cliff-hanger
9. point of view

Here’s what you do.

Look around you, or go for a walk, and note down the nine most memorable objects you see.
Give each object a number.
Use the first memorable object to answer the following question: In what way is (the object) like or unlike the setting of my story?
Write down your answer.
Then ask yourself: In what way is object 2 like or unlike the protagonist of my story?
Write down the answer.
In what way is object 3 like or unlike the antagonist of my story?
Write down the answer.
In what way is object 4 like or unlike the theme of my story?
Write the answer down.
And so on down to object 9 and point of view.

This gives you a lovely framework for your writing.

Try it and let me know how it worked for you.

Revolting Characters

Help me, my characters are revolting.

I’ve started to write a novel about the Vikings.  I started writing in third person, then changed to first person because my protagonist had a strong voice which seemed worth listening to.  However, as I wrote I could not quite see the way in which this character would fit into my plan for the novel.

At five o’ clock this morning he gave me an ultimatum.  Apparently there is too much going on in his world to allow me to send him abroad.  And his best friend is resolute that he won’t leave England.  Not while there are armies to fight and villainous masters to try to trick.

‘I invented you,’ I wanted to yell.  ‘You’ll do exactly what I want you to.’  But I knew this was mere bravado.

I sighed and agreed to their demands.  They can stay in England and find their own destiny.  I shall have to seek other characters to go voyaging with the Vikings.

They were right.  I, after all, am merely the author.  Now I know what Flann O’Brien felt like when he was writing ‘At Swim-Two-Birds.’  

Useful Writing Tools

I’ve been pondering useful writing tools lately.  The best one is to apply my posterior to a seat and get writing.  However, there are a few others which I regularly make use of and which can sometimes be very useful.

The first is my WRITING LOG.  This is a simple table showing each day of the week.  In it I note down the number of words I’ve written that day and the cumulative total to date.  It is wonderfully motivating and encouraging.  In fact it’s a real carrot and stick.  I would not write a novel without this.  It’s done more to keep me on track and writing than anything else.

The second took is my COMBINED MASTER PLANNING DOCUMENT.  In this I have combined elements of the Hero’s Journey, Propp’s Morphology of the Folk Tale and Aristotle’s Key Plot Elements.  I then map my novel according to these and file it away.  I rarely look at it again unless I get stuck.  If I do chance to look at it I sometimes find I am keeping pretty much to the plan, other times hardly at all.  Neither worries me.  I find that the plotting is useful in itself as I never used to pay enough attention to this aspect of my writing.

CHRONOLOGY.  This is the essential tool for my historical novels.  I have four columns.  One is for the date.  The second is for the general events which took place that year.  The third and fourth show what is happening to my protagonist and antagonist (and their followers) in that year.

CHARACTER LIST.  This is my newest tool and I have found it invaluable.  Again, it’s a simple table with the essential information about each character.  It helps me keep track of who is who in the novel and important information about them.  As many of my characters are historical figures I find it helps to put a picture of them, ideally as close to the date of the story as possible.

When I get stuck or find myself caught up with too many choices I resort to more lateral thinking devices such as using my subconscious.

None of these tools are essential and I don’t rely on any of them.  But they are great aides when things go a little awry in my writing.

To the Death. Artful. #samplesunday #amwriting #Kindle

CHAPTER 4 TO THE DEATH

Jack managed to get one free and kicked down savagely.  There sounded the sharp crack of broken bone and Crimp cried out.  He felt his nose gingerly.  Blood spurted through his fingers.

‘He’s broke me nose,’ he cried.

Jack leapt off the ladder and slipped through the crowd of convicts with Crimp and Trench lumbering after him.  Jack really did live up to his name and for a good five minutes he artfully dodged and swerved, ducked and dived, eluding the clutching hands of his pursuers.  Most of the men were happy to aid him in his flight, having no love for his enemies but a smidgeon of admiration for him.

In the end Trench cried out, ‘A half-crown for the man who catches him.’   Loyalties switched instantly and in moments Jack found himself caught in a web of arms.  He was dragged in front of Trench.

‘You broke my friend’s nose,’ Trench said.  ‘That was foolish of yer.  You’ve got some comeuppance to come.’  He pulled Jack’s Top Hat from his head, put it to his mouth and bit the crown off.

‘You bastard,’ cried Jack,  ‘That’s my property.’

‘You’re welcome to it,’ said Trench, dropping the battered hat upon the floor and stamping on it.

‘Let me break his fingers,’ cried Crimp.

‘If you want,’ said Trench, grabbing hold of Jack’s hand and holding it towards him.

‘Not his fingers,’ came a voice from the crowd.  A swell of angry voices seemed to agree.

‘Why not?’ said Crimp.  ‘He broke my nose.  Why shouldn’t I break his fingers?’

‘That’s his trade,’ said the voice.  ‘He’s a pick-pocket.  You can’t take away the lad’s profession.’

Crimp squeezed on Jack’s fingers.  But as he looked at the increasingly angry crowd he suddenly thought better of it and let Jack’s hand drop.

‘Okay then,’ he said.  ‘I’ll leave the lad his fingers.  But what can I do to him then?’

‘Give him a beating,’ said the voice.  ‘But don’t harm his hands.’

Crimp called out to Trench.  He grabbed Jack by the neck and held him fast while Crimp sized up where to strike.  His first punch hit Jack in the shoulder.

‘There must be a butterfly in here,’ Jack said, peering down as he brushed at his shoulder.  ‘I swear its gentle wing just touched me.’

The crowd laughed at his words, jeering at Crimp for his puniness.

Crimp growled in fury and laid into Jack with a will.  Jack didn’t say another word.

It was only when he was knocked unconscious and began to slide to the floor that Trench held up his hand.  ‘Enough for now, Fred,’ he said.  ‘He won’t forget this lesson.’

The next three days were the worst that Jack ever experienced.  Every morning he was beaten by Crimp and every afternoon beaten once again.  Trench would sit and watch this, chuckling and guffawing as though it was the finest comedy in the halls.  The rest of the convicts were angered by it but for the moment no one dared intervene.

On the fourth day, anyone who happened to be lurking in the darkest part of the hold might have seen Jack whispering something in Tommy Windle’s ear.  He gave the cabin boy a note.

Jack watched Tom slip away to the ladder leading up to the deck.  He bit his lips anxiously and took a deep breath.

Then he turned, strode up to Trench and kicked him on the shin.

‘I’ve had enough of seeing you hide behind your pal,’ he cried.  ‘Why don’t you fight your own battles for a change?  I challenge you to a prize-fight.’

Artful is available on Kindle and on Smashwords.

First or Third Person?

I’ve just started to write a new novel, based in the early years of the eleventh century.  I have a protagonist, Leofric the clerk, I know what sort of person he is and what his values and beliefs are likely to be.  He is the point of view character.

What I don’t know is whether to write the novel in the first or third person.  I know all the arguments, the pros and cons.  If I do decide to write third person it would be a very tight focus on Leofric.  I would then have the advantage of being able to write about other characters in what I plan to be a wide-ranging novel.

But.  But.  But.  I sense somehow that Leofric has a voice which will be worth listening to.  I sense that he will be able to tell the story with zest and a certain irony which will only add to the story.

I have written the first part of the story in third person and then minimally re-wrote it in first person.  I’m putting it to bed for a while and then I’ll read both and see which has the most promise.

I think I’ll also re-read out Orson Scott Card’s great book, Characters and Viewpoint.  It’s a classic.  

Hooray for Serboga

Yesterday we visited the tiny Principality of Serboga.  It is a village perched in the hills above the coastal town ofBordighera.  It is close to the French/Italian border.

Apparently the deeds selling the old village to the Duchy of Piedmont-Sardinia were never properly registered leaving the village in an ambiguous situation.  The village was overlooked in the Treaty of Vienna which redrew the map of Europe in 1815.

In the 1960′s Giorgio Carbone began to promote the idea of Serboga’s independence and was elected Prince in 1963.  Serboga became one of the handful of micro-nations still in existence.

The image of Prince Giorgio I

The image of Prince Giorgio I (Photo credit: Wikipedia)

Naturally the Italian Government disputes the claim and the people of Serboga are sensible enough to allow Italy to maintain its roads and provide services.  Nevertheless, upon Giorgio I’s death a new prince was elected to replace him and the flag still flies proudly above the Principality.  It has an army.  I missed him going up some steps but my wife and friends assured me he was in uniform.  I posed in his sentry-box which I now fear may be taken as an attempt at coup d’etat.

We had a lovely day there.

Sovereign State since 954 AD, Principality since 1079, Own currency since about 1630, Mint since 1666.

Savoys’ private Protectorate 1729/1749-1798,1814-1946, never annexed nor annexable byItaly, Institutions refounded 1963/1995.

I’m thinking of setting up my own micro-nation in our apartment.  I shall be Emperor and my wife Empress.

Artful Chapter 3 Part B. #Sample Sunday #Kindle #amwriting #historicalfiction

It was when The Hornet was wallowing through the Roaring Forties, far to the south ofIndia, that Beresford took ill.

It may have been something he caught on the taint of the air, it may have been some pestilence an insect vomited into some spectacularly decaying bit of food, it may have been some poison dripped into his drink.  At any rate he began to shake with a mighty delirium.  The sweat upon his face was as heavy as that on the last horse home from a steeple-chase.

Then he started to vomit.  The convicts nearby fled from his thunderous puking, watching in a circle, amazed that the scant food allowed them could produce so much matter.

‘There’s a month of dinners coming out,’ said one old man who fancied himself something of a leech.

‘Aye, and not just his,’ said another.  ‘I’m sure that’s the bit of pie that went missing from my grub.’

Several convicts pressed closer to try to identify pieces of their food that had unaccountably gone missing.

‘That looks like Bill’s sausage,’ said one young lad.

‘No,’ said Bill, ‘I found that in my shoe.  I think it must be part of his innards.  They do look like sausage.’

‘Beresford’s been eating his innards?’ said the boy in wonder.

The convicts took a step back, horrified at this example of self-cannibalism.

‘No,’ said the leech.  ‘He ain’t ate ‘em.  But they’ve come adrift from his guts and worked their way up to his throat.  I’ve seen it before.’

‘What happened to him as had it?’ Jack asked anxiously.

The old man made a slicing motion against his throat.

Jack knelt in front of Beresford.  ‘What’s ailing you?’ he asked.  ‘What can I do?’

Beresford shook his head and gestured him away.  ‘Might be catching,’ he managed to groan.

The onlookers gave a collective gasp and struggled even further from the suffering man.

‘The Plague,’ cried one.

‘The Flux,’ said another.

‘The Black Gobbler,’ said a cross-eyed man who loved to tell tales.

The others turned to him, fearful to hear of this hitherto unknown malady.

‘It’s a mix of the Plague, the Flux and the Pox,’ he said.  ‘It would be a kindness to blow his brains out now.’

That was more than enough for Jack.

He thrust through the crowd and clambered up the stairs.

‘Help, help,’ he cried, beating upon the sealed trap-door.

‘What’s the racket?’ called a seaman, opening the door and squinting down.

‘Please sir, my friend is very sick with the Black Gobbler.’

‘With what?’

‘The Black Gobbler.’

‘Never heard of it.  No such thing.’

‘Well it’s terrible, whatever it is.’

‘Piss off,’ said the man, closing the trap.

‘On your head be it,’ Jack cried.  ‘When Captain Flowers hears you allowed the contagion to spread, gor blimey for you.’

The trap-door stopped moving.

‘Who’s to tell him?’

‘Me.’

Jack could hear the seaman discussing the situation with another.  The trap was flung open and a pair of hands descended and hauled him up.

‘Yer can tell him yerself, young ‘un,’ the seaman said.  ‘Hop to it.’

Jack was dragged along the walkway, up numerous stairs and eventually, thrust along a passage way.  They halted before a well-polished door and one of the seamen nervously knocked upon it.

‘What is it?’ called a voice from within.

‘Begging pardon, Captain but this convict says there’s contagion down below.’

The only reply was silence.  The two seamen glanced at each other anxiously.  Eventually, the captain called out.  ‘Take him up on deck, summon the surgeon, and I shall join you.’

Jack was grabbed by the collar and dragged up another set of stairs to the main-deck.  The day-light seared his sight and he threw his hand across his eyes.  He felt himself being deposited onto the deck and stood with head bent and eyes tight shut.  He began to squint his lids open, very slowly, very carefully, aware that the light appeared to be drenching him like heavy rain.  Eventually, he forced them open completely but he protected them from the sun by staring down at his feet.  After a few minutes these feet were confronted by three more sets, all shod in highly polished boots.

‘Now then, boy,’ said Captain Flowers, ‘what’s all this talk about contagion?’

‘My friend Beresford has it,’ answered Jack.

‘Look at the Captain when you address him,’ came the grim voice of Lieutenant Bolt.

Jack shielded his eyes and glanced up into Captain Flower’s face.  There was no sign of geniality now, merely anxiety and suspicion.

‘What does Beresford have?’ the Captain asked.

‘The Black Gobbler.’

The Captain sighed.  He turned towards the man standing next to him, a short, stout man wearing the bloody apron of a surgeon.  ‘What think you of this, Mr Wills?’ he asked.

The surgeon bent down to Jack.  ‘Tell me boy,’ he asked.  ‘What are your friend’s symptoms?’

‘He’s sick as a dog,’ Jack answered.  ‘He’s howling like a cat and he’s shaking like a drunkard trying to keep his feet.’

The surgeon pursed his lips and turned towards the Captain.  ‘A most exact description.  I wish my orderly was as good.’

‘And very poetic,’ said the Captain.  ‘Who would think the gutter would breed such a being?’

Jack stared at them, suspicious that they were laughing at him yet also sensing something slightly beyond laughter.

‘And there’s more,’ he continued.  ‘Beresford, that’s my friend, has gone and got his innards floating free and puked bits of them up.’  His voice took on a learned tone.  ‘And that’s why it’s called the Black Gobbler.  Seeing as how he’s gobbling up his own innards.’

The Captain’s eyes widened in astonishment.

‘Stuff and nonsense,’ said the surgeon.  ‘But it could be dysentery.  Or worse, cholera.’

‘I’ll seal the hold,’ said Bolt.

‘That’s the worst thing to do,’ said Wills.  ‘The disease would spread like wild-fire.  No our best hope is to bring out this man Beresford and keep him away from everyone.’

‘I doubt any of my lads will be happy to go down and get him,’ said Bolt.

‘They’ll do as they’re ordered,’ said the Captain sharply.

‘Bolt has a point,’ said Wills.  ‘If any of the crew touch him they might catch the disease.  We need to get him out making use of only the convicts.’

‘Could you carry him out?’ the Captain asked Jack.

‘You must be joking,’ Jack answered.  ‘He’s twice my size.’

Bolt gave him a whack across the head.

‘Don’t talk to the Captain in that manner.  If you can’t carry him, could you help him out, let him lean on you?’

Jack’s eyes narrowed thoughtfully.  ‘Oh yes, I could do that,’ he said.

His face took on a knowing look.  ‘Would I have to be kept on deck as well, in case I get the Gobbler?’

The surgeon’s eyes went to the Captain who shook his head slightly, a movement which Jack did not catch.

‘Possibly,’ said the surgeon.

‘Quite possibly,’ added the Captain.

‘Then I’ll get him,’ said Jack.  ‘I might need a rope though.’

‘Out of the question,’ said Bolt.

‘I think in the circumstances,’ said the Captain.

‘As you wish, sir,’ said Bolt with a sigh.  ‘Four feet length I’d advise.  Don’t want them hanging themselves.’

Jack was given four feet of strong rope and taken back below.  The dark of the hold hit him first, then the stench and finally the noise.  He stumbled through the gloom to where the circle of convicts were still watching in fascination as ever more vomit hurled out from Beresford.

‘Captain’s orders,’ Jack said with self-importance.  ‘Beresford’s got to go aloft to stop the disease from spreading.  And I’m to go with him to look after him.’

‘Like a nursemaid,’ said Trench.

‘Like a maid,’ said Crimp.

‘Very funny,’ said Jack.  The last time he had been so jaunty was the long months ago when he had left Fagin’s den with Charley Bates to go off thieving.

He swiftly slid the rope around Beresford’s chest.  He then looped the ends and began to pull on it, dragging Beresford along the deck.

‘The sooner you give us a hand the sooner we’ll be out of your hair,’ he cried.

Several men pushed him aside and began to haul on the rope.  The vomit on the floor made the ride more smooth and Beresford was soon hauled beneath the trap-door.  His head was lolling in pain and delirium.

Jack clambered up the stairs and hammered on the door.

‘I’ve got him, he’s here,’ he cried.

The trap-door opened and a hook descended and caught hold of the loop of rope.  Beresford was hauled up like a sack of flour and disappeared through the hatch.  Jack clambered onto the steps behind him and hurried after.  But as he did so the trap was lowered.

‘Only room for one,’ called a seaman.

‘I’m coming with him,’ said Jack.

‘No you ain’t.’

‘But the Captain said.’

‘Haven’t you learned never to trust the word of a gentleman?’ the sailor said.  He slammed the hatch shut and locked it.

Jack was flabbergasted.  He had been lied to, used, deceived.  He shook his head in astonishment.

A loud laugh filled his ears.  He glanced down to see Trench and Crimp staring up at him.

‘All on your lonesome, now are we?’ said Crimp.  ‘Let’s see how good a dodger you really are.’  He grabbed hold of Jack’s legs.

Artful is available on Kindle.  Please click on the links on this page to find Artful and my other books.

 

Buriden’s Ass. What shall I write now?

I’ve just published my third novel, Artful, about the continuing story of the Artful Dodger.  Editing and improving it was a long, thought-provoking and instructive process.

I now have another novel ready for editing.  This is set in the last years of the twelfth century in the Kingdom of Jerusalem when it was being re-conquered by Saladin.  However, I would like a rest from editing so want to get my teeth into writing a new book.

The problem is I can’t decide which of my ideas to pursue.

I could write the third instalment of The Lost King series, write a follow-on to Artful, rewrite my Elizabethan spy novel or try my hand at a new era (I have several time periods in mind.)

I am like Buridan’s Ass/Donkey.  I am between two bales of hay and cannot decide which to eat.  I always thought this dilemma was one of Aesop’s Fables by the way.  Amazing what an educational tool the internet is.

(And what a time eater it can be.  I actually want to read the learned post  by Prof. Michael Hauskeller of the University of Exeter which can be found in the current issue of Philosophy Now.  http://www.philosophynow.org/issues/81/Why_Buridans_Ass_Doesnt_Starve.  But I will use my free will to continue with this post.  It’s a great find though!)

Anyway, where was I?

Oh yes.  I am in a dilemma.  I lie on my terrace thinking about the options for my next book.  I hope that inspiration will make me leap up and say, that’s the one.  If not I suppose I can always toss a coin or draw lots.

Or should I trust to fate on such a fateful day as The Ides of March?

Artful #SampleSunday Chapter 3 A Dreadful Voyage Part A

 Here is the third sample of my new book Artful, available on Amazon Kindle.

Most of the voyage was spent in deep gloom.  There were several hatches in the deck and when the weather permitted these were opened to allow shafts of light to pierce the darkness of the hold and dimly illuminate the nearest patch of squalor.

The convicts looked with longing upon these pillars of light and the strongest staked their claims to territory closest to their glow.  The weakest spent their time watching for the strong men’s attention to waver so that they could snatch a moment in the light.  When the hatches were shut the only light came from half a dozen shuttered lamps high up in the rafters, out of reach of the convicts.  No candles were allowed below.

Because the darkness thwarted sight other senses became more acute to compensate.  This was no advantage; far from it.  Jack could close his eyes to hide the sight of ugly faces and dread disease.  But he could not close his ears.  The hold acted like a vast drum, catching and amplifying every sound.  Men muttering in corners, men snivelling with hunger, cries and curses, groans and shrieks, all were picked up, intensified and delivered hot to every aching ear.  Some found the noise so intolerable they lost their heads.  Their yells and screams added to the stew of sound and made it more unbearable still.

But if the sound of the hold was dreadful the smell was far worse.  The air that the convicts breathed was as stale as pestilence.  It blocked the nose, lay sticky in the mouth and clung like wet flannel to the lungs.  Jack knew he had to breathe to live but every breath was a torment which he yearned not to have to take.

Mixed with the foulness that was the air lay a stench exhaled by unwashed bodies, leaking wounds and bodily waste.  The stink felt like a living thing, a vast whale snorting and pulsating.  You could not escape this stench no matter how you tried.  And still, mingled with this, were yet more particular smells, individual, transient, bubbling up to seize the unwary nostril with sickening new surprise.

Chains existed in plenty in the hold.  But they were no longer necessary.  Every man felt weighted down by the unendurable burden of their surroundings.  They barely moved, some only twitching their legs a few times each day.  Others, the more determined, would shuffle from one side of the hold to another to keep some grip upon their minds, praying that this voyage would end and that they would still have need for legs and hands.

The oldest and the most exhausted merely sat and stared with clouded eyes, all hope abandoned.  They even watched without distress as rats chewed on their toes and fingers.  Jack spent long hours frightening the rodents away.

‘Why do you bother?’ asked one old man.  ‘Let ‘em eat me.’

It was worse than a nightmare.  The big men like Trench carved out rough territories which they held by fist and boot from all rivals.  Offerings of food and sex were given to them.  They repaid this tribute by not attacking and maiming their followers.  All others in the hold were prey to savage, murderous and unprovoked assault.

A few men like Beresford avoided these dreadful turf wars.  These were the few who combined physical strength with a silent determination to remain their own man and refuse to get entangled with the concerns of others.  It required strength of character to do this.  Those who succeeded did so alone, without the support of others.

Jack was glad that Beresford had taken him under his wing for he knew that he had earned the special enmity of Trench and Crimp.

Apart from Beresford the only other person he came to trust was Tommy Windle.  He was a cabin boy a year or so younger than Jack.  Along with a gang of sailors he climbed down to the hold every morning to bring food to the convicts.  On the first visit he had been surprised to find a convict of his own age.  He was even more impressed when he heard the convict’s name.

‘The Artful Dodger,’ he whispered to Jack.  ‘You must be the famousest convict on the ship.’

Jack glanced around swiftly.  ‘Keep your voice down, will yer?  It don’t pay to let everyone know it.’

‘I’d love to be as famous as you,’ Tommy continued, unabashed.  ‘It must be really grand.’

Jack gave a crooked grin.  ‘Yes really grand.  It’s earned me these choice apartments.’

Tommy looked perplexed for a moment then realised the joke and smiled.  ‘I can make it better if you want,’ he said.

‘Make it better? How?’

‘I can get you extra grub, a glass of gin, even an extra blanket.’

Jack gave the cabin boy a suspicious look.  ‘Can you now?  And what would you be wanting in return?’

‘Just to know you, Dodger.  That would be enough.’  Tommy fell silent, looking around carefully before leaning close towards Jack.  ‘And I’d love to be able to pick pockets,’ he whispered.  ‘Will you learn me how to do it?’

Jack scratched his head, thinking fast.

‘All right,’ he said.  ‘But it will cost more than just the odd glass of gin.  One a day at the very least.  And some cash.  And it’s got to be a secret.  I’ll deny it if you tell a soul.’

Tommy nodded fiercely.  ‘Not a soul.  On my mother’s grave.’

Apart from Trench and Crimp the rest of the convicts troubled Jack not at all; he could argue better, curse fouler and insult more woundingly than any of them.  But these skills had less effect upon Trench and Crimp because they were more stupid than most.  Crimp could understand the more obvious insults and sometimes chanced a kick at Jack when Beresford was far away.  Trench merely glared at Jack, biding a time when he would be free to swat him like a fly.  That time would not occur while Beresford remained watchful.

It was when The Hornet was wallowing through the Roaring Forties, far to the south of India, that Beresford took ill.

Ignorance is bliss

We have been in France for three months now and have got rather out of touch with things in the old country.  We watch the French media and understand the bare bones of it but not the nuance.  So, naturally, we are ignorant of a lot of what is going on in the world.

This morning we listened to a morning news programme from the BBC in Britain.  Boy was our ignorance shattered.

We were dragged right back to the world we left three months ago.  People being thrown out of work, long-held institutions like the National Health Service being attacked, rich people getting ever richer and feeling aggrieved when anybody dares to question their greed.  The constant bickering between people with opposing points of view.

We turned off the radio and listened to some music instead.  Ignorance can be bliss.